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February 1987, Tiziana Redavid, an architecture student in Turin, visits the factory of a friend, an industrial springs manufacturer. Springs are scattered all over the floor, the young Italian picks up a few dozen, puts them on her wrist, and with her imagination, these simple springs soon find an artistic intent. Tiziana is stricken by the analogy with African ornaments and even more for the aptitude of this industrial material to evolve into jewelry.

 

 

 

 

 

 

 

 

 

 

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